July 18, 2005
A clever concept drives Riordan's highly charged children's book debut (the first in a series): the Greek Gods still rule, though now from a Mt. Olympus on the 600th floor of the Empire State Building, and their offspring, demigods, live among human beings. Narrator Percy Jackson thinks he's just another troubled 12-year-old, until he vaporizes his math teacher, learns his best friend, Grover, is a satyr and narrowly escapes a minotaur to arrive at Camp Half-Blood. After a humorous stint at camp, Percy learns he's the son of Poseidon and embarks on a quest to the Underworld with Grover and Annabeth (a daughter of Athena) to resolve a battle between Zeus and Poseidon over Zeus's stolen "master" lightning bolt. Without sacrificing plot or pacing, Riordan integrates a great deal of mythology into the tale and believably places mythical characters into modern times, often with hilarious results (such as Hades ranting about the problem of "sprawl," or population explosion). However, on emotional notes the novel proves less strong (for example, Percy's grief for his mother rings hollow; readers will likely spot the "friend" who betrays the hero, as foretold by the Oracle of Delphi, before Percy does) and their ultimate confrontation proves a bit anticlimactic. Still, this swift and humorous adventure will leave many readers eager for the next installment. Ages 10-up.
Starred review from October 4, 2010
Venditti's adaptation of the critically acclaimed first installment of the Percy Jackson & the Olympians series faces a daunting challenge: to present a beloved, contemporary, young adult fantasy novel as a 128-page visual narrative. But the team succeeds in spectacular fashion. Venditti (The Surrogates) takes the story of the half-blood Percy—who discovers that he is both the son of a god and the prime suspect in a theft of cosmic implications—and forges an adaptation that does justice not simply to Riordan's story but works perfectly as a graphic novel. The book retains the excellent pacing of the original and gives a face to Riordan's vision of the mythological made modern. Futaki's artwork is exemplary, but what leaves such a lasting impression is Villarrubia's coloring, which reveals both subtlety and spectacle when needed. The graphic novel compression must, of necessity, sacrifice something, namely some of the humor of the original. Ages 10–up.