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The Memory of Love

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1 of 1 copy available
1 of 1 copy available
“[A] luminous tale of passion and betrayal” set in the post-colonial and civil war eras of Sierra Leone (The New York Times).
 
Winner of the Commonwealth Writers’ Prize for Best Book
 
As a decade of civil war and political unrest comes to a devastating close, three men must reconcile themselves to their own fate and the fate of their broken nation. For Elias Cole, this means reflecting on his time as a young scholar in 1969 and the affair that defined his life. For Adrian Lockheart, it means listening to Elias’s tale and following his own heart into a heated romance. For Elias’s doctor, Kai Mansaray, it’s desperately battling his nightmares by trying to heal his patients.
 
As each man’s story becomes inexorably bound with the others’, they discover that they are connected not only by their shared heritage, pain, and shame, but also by one remarkable woman.
 
The Memory of Love is a beautiful and ambitious exploration of the influence history can have on generations, and the shared cultural burdens that each of us inevitably face.
 
“A soft-spoken story of brutality and endurance set in postwar Sierra Leone . . . Tragedy and its aftermath are affectingly, memorably evoked in this multistranded narrative from a significant talent.” —Kirkus Reviews
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    • Publisher's Weekly

      September 6, 2010
      Forma, recipient of a Hurston/Wright Legacy Award for Ancestor Stones, returns to Africa's troubled conscience in this admirable if uneven outing. Adrian Lockheart is a well-meaning English psychologist who embarks on a temporary post at a Sierra Leone hospital intending to modernize treatment of the long-neglected schizophrenics, transients, and scarred victims of civil war who walk the hospital grounds. He soon meets his match in the elderly ex-professor Elias Cole, who speaks eloquently of his country's turbulent history—and also of his passion for the wife of a more radically minded colleague whose eventual disappearance Cole may be implicated in. As the holes in Elias's story widen, Adrian falls for a patient's daughter and into conflict with a surgeon, and ripples from the unexamined past threaten the present. Yet Forma's material doesn't measure up to the book's length. The book's prolixity, combined with scenes that drag or come off as forced, certainly doesn't ruin the experience, but it does occasionally glut what amounts to a heartening cry for moral responsibility in the thick of maddening injustice.

    • Kirkus

      Starred review from November 1, 2010

      In a soft-spoken story of brutality and endurance set in postwar Sierra Leone, three lonely men are connected by love and a legacy of terror.

      Gravitas distinguishes the ambitious second novel by Forna (Ancestor Stones, 2006, etc.), which uses a handful of perspectives and consciences to consider the impact of civil war on an African nation. Adrian Lockheart, a British psychiatrist, is treating elderly, dying Elias Cole, a history lecturer who recounts his obsession, decades earlier, with Saffia, the wife of Julius, a colleague who is suddenly arrested and who dies in police custody. Although she does not love him, Saffia later marries Elias and they have a child. Was Elias partly complicit in Julius's death? Kai, a surgeon at the same hospital as Adrian who has treated victims of the civil war, notably amputees cleaved by machetes, is haunted by terrible events. And Adrian is drawn deeper into recent history by a patient whose disorder symbolizes the scarcely bearable legacy of atrocities inflicted on the civilian population. Setting her story against a background of streets, beaches, bars, police stations and hospitals, Forna evokes a vivid social and cultural panorama. Affection between characters is overshadowed by politics, poverty and the larger fingerprint of a bloody past. While later episodes are weakened by occasional lapses of subtlety and too much connection heaped on a single character, Forna's insight, elegance and elegiac tone never falter.

      Tragedy and its aftermath are affectingly, memorably evoked in this multistranded narrative from a significant talent.

      (COPYRIGHT (2010) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

    • Library Journal

      November 1, 2010

      Forna's second novel after her well-regarded memoir, The Devil That Danced on the Water, takes place in Sierra Leone and weaves stories, past and present, involving Kai, a young surgeon; Elias, an older patient; and Adrian, a British psychiatrist.

      Copyright 2010 Library Journal, LLC Used with permission.

    • Booklist

      November 15, 2010
      Set in Sierra Leone at the turn of the twenty-first century, Fornas absorbing second novel (after Ancestor Stones, 2006) revolves around three very different men. British psychiatrist Adrian Lockheart has fled his failing marriage in England in the hopes of doing some good in Sierra Leone. Adrian becomes fascinated by two of his patients, elderly Elias Cole, a former university professor, and Agnes, a woman lost in a fugue state. The dying Cole reveals to Adrian, Scheherazade-like, how he fell in love with a radical colleagues wife in the late 1960s, while Adrian must piece together the details of Agnes life. Adrian finds a friend in a haunted young surgeon, Kai, who is contemplating leaving the country. Kai questions some of Adrians risky decisions, such as his intention to track Agnes down once she leaves the hospital, but it is Adrians involvement with a local woman from Kais past that shocks the young doctor. Fate and tragedy intertwine in this stunning and powerful portrait of a country in the aftermath of a decade of civil war.(Reprinted with permission of Booklist, copyright 2010, American Library Association.)

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